1. Preparation of mud

Remove the impurities directly from the underground mud, use wood rafts, sticks and knives to carry out manual smelting, and conditionally use mud boring machine. Too wet mud should be placed in the indoor ventilation area to let the soil dry to reach the appropriate Humidity; too dry mud should be crushed in the soil, placed in a container, poured with a proper amount of water to soak, and then refining. Finally, the soil should be soft and hard, and not sticky. The processed mud is good. To be placed in a cylinder or other utensils, cover with a damp cloth or plastic cloth to maintain a certain humidity, spare.

2. Take the skeleton

The skeleton is commonly used in wood, wood, iron, steel, nails, etc. The skeleton of the clay sculpture is like the human skeleton, which plays the role of support and connection. It is the basic condition of clay sculpture and cannot be ignored.

Pay attention to the skeleton:

The skeleton should be strong to ensure the stability of the clay, not skewed after the mud, and does not collapse.

After the mud is piled up, it should not be muddy or exposed.

To reflect the general shape of the sculpture.

The skeleton should be simple, easy to change and disassembled during molding.

3. On the big mud pile

After the mud and the skeleton are ready, you can use the mud on your hand. First spray a water on the skeleton so that the mud and the skeleton can be firmly combined and not easy to fall.

When you are on the mud, pile the mud on the skeleton one by one, press it tightly by hand, tap it, then add the mud layer by layer, and stick the mud with the raft or the mud board.

When you are on the mud, you should focus on the big picture, start from the whole, avoid shrinking your hands and feet, and fall into the description of some details.

Sculpture is a three-dimensional entity. Every time you add a piece of mud, you need to take care of the connection between the various perspectives. You should often roll the sculpting table and continue to investigate and compare. Don't pile up the pile once, just pile up the big shape.

4. Deepen description

On the basis of the large shape and share, it is possible to enter the stage of deepening the description.

Following the deepening of the parts and details, the volume of the clay sculpture will be gradually put in place. The part should be compared with the whole, so that the part is subordinate to the whole.

In the process of deepening the description, we must constantly adjust and grasp the relationship between the whole and the part, deal with the connection between the part and the detail, and also repeatedly think about it, and always grasp the principle of "all-part-all". Only the whole grasp is accurate, part Can do it right, and part of it is accurate, but also fully perfected the whole.

Often when the depth of the description part is deep, the energy is very concentrated. I often describe it on one side for too long and forget to roll the sculpture table. The more detailed it is, the simpler the volume is. It is necessary to pay attention to the investigation and description of the whole. .

In addition, we must pay attention to the symmetrical connection, you can draw the center line on the clay sculpture to check, compare and correct.

5. Adjust the consistency

In the deepening stage, it is inevitable that the details of some parts will be over-expressed, the big turning of the form will be weakened, the connection between the forms will be lacking or the bluntness will be dealt with, and it will be adjusted to the overall connection in the adjustment stage.

In the manufacturing process, the clay sculptures should pay attention to the water spray on the clay sculptures, especially in the summer, the water should be simply evaporated, and the water should be sprayed on time. The mud should always adhere to the appropriate dryness and wetness to describe the shape. In winter, the temperature is low. If the clay sculpture does not pay attention to keep warm, after freezing, the whole clay will be loose, so it is necessary to work in a warm indoor working room, so that the clay will not be loose. After each operation, the plastic will be wrapped with plastic cloth. The clay is not easy to crack, and its moisture is not easy to evaporate, so as to continue to describe.

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