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Curve Revolution Comes Skinny Out
In March this year, at the launch of the Louis Vuitton 2010 Fall/Winter Collection, a wave of curves made its way onto the runway. Models like Laetitia Casta, Bar Refaeli, Catherine McNeil, Karolina Kurkova, and Elle Macpherson showcased a new kind of allure—ones that rarely appeared in previous fashion weeks. This marked the beginning of what many are calling the "curve revolution," signaling a shift away from the traditional "skinny" look.
Marc Jacobs also embraced this trend, drawing inspiration from the hourglass silhouettes of the 1950s and 1960s. His designs featured rounded busts, slender waists, and full skirts, reviving a classic shape that had been largely absent from modern runways. Similarly, Miuccia Prada introduced a similar aesthetic during Milan Fashion Week, reinforcing the idea that the industry was beginning to embrace more diverse body types.
A recent issue of *V* magazine highlighted a variety of body shapes, featuring full-figured models like Tara Lynn. The photos showed curves that were both bold and natural, challenging the long-standing preference for thinness in fashion. This theme is not entirely new—fashion magazines often revisit the topic of body diversity—but what's different now is the shift from just acknowledging it to actively promoting it.
The change has been noticeable not only in magazines but also on high-profile runways. Supermodel Crystal Renn, known for her larger frame, recently walked for Chanel and Jean Paul Gaultier, and even graced the cover of *Vogue Italia*. This marks a significant step forward for the industry, as it begins to move beyond the narrow definition of beauty that has dominated for years.
Christina Hendricks, best known for her role as Joan Holloway in *Mad Men*, has become a symbol of this new era. Her curvaceous figure has been celebrated by many as a refreshing alternative to the ultra-thin models of the past. However, some critics argue that this shift may not be as positive as it seems. They point out that while the industry is moving toward more realistic body types, it might simply be replacing one extreme with another.
The controversy surrounding this trend was sparked in part by a photo spread in *Glamour* magazine featuring Lizzie Miller, an 180cm-tall model who weighed nearly 80kg. Her naked image, showing her natural body without any padding or editing, caused a stir. Some saw it as a breakthrough, while others criticized it as an exaggerated attempt to push the boundaries of fashion.
While the movement toward more inclusive body standards is encouraging, there are still concerns about how far it can go. Critics argue that even if the fashion industry starts embracing larger figures, it could still create unrealistic expectations. As Emily Hill of *The Guardian* pointed out, “I think even if I eat 12 doughnuts in one go, my hips won’t grow like hers.†She questioned whether such figures could truly serve as role models for women.
Lynne Featherstone, the UK’s Minister for Women and Equalities, has spoken out against the current beauty standards in the fashion industry, calling them “unrealistic†and harmful. She believes that women should look up to figures like Christina Hendricks—not because they are perfect, but because they represent a more authentic form of beauty. However, she also warns that replacing one standard with another could lead to the same problems.
Ultimately, the debate over body image in fashion continues. While the industry is making progress, it's clear that true change will take time. The key is to move beyond extremes and embrace a wider range of body types, allowing women to feel confident in their own skin, no matter what shape they're in.